Elizabeth Blair

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STEVE INSKEEP, HOST:

Edwin Hawkins' "Oh Happy Day" was an accidental hit. The song, a gospel-style rework of an 18th century hymn, starts with a jazzy drum beat and a kind of blues pop piano groove. Dorothy Morrison, who sings lead on the recording, remembers at first, the pop feel got a lukewarm reception from the church.

"At first the reaction was, 'Well, we're not sure,' " Morrison says.

Dozens of powerful men, including two at NPR, have lost their jobs and reputations in the cultural reckoning that is the #MeToo movement. Clearly, there's tremendous momentum behind it, but where does it go from here? Do those men have a shot at redemption?

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ARI SHAPIRO, HOST:

Natasha, Pierre and The Great Comet of 1812 was supposed to be the next Hamilton. It was going to invigorate Broadway and attract younger and more diverse audiences — and it almost succeeded. Instead, it's closing on Sept. 3, in part because of a controversy over casting and race.

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