John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration. His latest book, WKW: The Cinema of Wong Kar Wai (co-written with Wong Kar Wai), is an April 2016 release by Rizzoli.

He lives in Pasadena, California, with his wife, Sandi Tan.

Back in 1964, movie audiences were treated to three hit musicals. Two of them — Mary Poppins and My Fair Lady — won scads of Oscars. But it was the third that announced the future, and it did so from its opening chord.

What followed from that chord was what we call The Sixties.

Americans put a lot of stock in being likable. Pollsters take surveys of the president's likability. Test screenings check whether we like the characters in movies. And when a literary novelist like Claire Messud mocks the notion that fictional characters should be someone we'd like to be friends with, writers of popular fiction attack her for snootiness.

If the road movie has a home, it's surely the United States. After all, the settling of America was itself a kind of humongous road picture — all those wagons rolling across the new continent's spectacular vastness. And with our ceaseless love of movement, we became the first people to be transported — in every sense — by the automobile. Small wonder, then, that so many famous Hollywood films, from It Happened One Night to Thelma & Louise, are all about hitting the road.

Although there's no rigid dividing line, fans of the crime genre generally fall into two camps. There are those who prefer stories which, after titillating us with dark transgressions, end by restoring order — the show Law & Order is an aptly named example. And then there are those who prefer stories which, even after the mystery is solved, leave you swimming in the murk — think Chinatown. This is the male-dominated realm of noir.

Here's an old joke you may have heard: "How many Vietnam vets does it take to screw in a light bulb?" Answer: "You wouldn't know, you weren't there."