Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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In a career that ran from the 1930s into the 1980s, and included work in big bands and rock 'n' roll, the clarinetist, saxophonist and bandleader changed to reflect the times. Herman would have turned 100 on May 16.
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Four albums of reissues and archival recordings from Crosby's own vaults are getting a high-profile release; they demonstrate that his influence on modern singing is so huge, we barely notice it anymore. He could sing anything from Latin to Hawaiian to The Great American Songbook.
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Mosaic Records has released Classic Earl Hines Sessions 1928-1945, a seven-disc showcase for the jazz pianist and bandleader. Hines' right hand played lines in bright, clear octaves — and his left hand had a mind of its own.
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On his new album, The 3dom Factor, Altschul is great at mixing opposites: abstract melodic concepts with parade beats, open improvising and percolating swing. The album is the sort of comeback that reminds you how much good music the artist made the first time around.
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Known for his work in New Klezmer Trio, clarinetist Ben Goldberg has just released two new albums for different quintets: Subatomic Particle Homesick Blues and Unfold Ordinary Mind.
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The saxophonist and his quartet cross-pollinate Indian classical music and vintage Captain Beefheart to create complicated rhythms and solos reminiscent of jazz-rock fusion.
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A new four-CD set highlighting the music of the jazz keyboardist and drummer contains two discs that are gems and another two that have their moments.
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An album recording of the guitarist from 1959 captures the thrilling sound of Midwestern jazz.