Martin Klemm

Sound Engineer

As engineer for WMUK, Martin Klemm could be taking care of a producer's computer in the morning, recording the Kalamazoo Symphony that evening, and producing Grass Roots the next afternoon. Being concerned with details and the staff's comfort, Martin will never run out of things to do.  Before coming to WMUK in 2003, Martin worked in Los Angeles making records with some outstanding producers, but preferred to be close to his family here in west Michigan. He enjoys keeping a busy schedule balancing WMUK, operating a recording studio downtown Kalamazoo, and remodeling his home in the Edison neighborhood.

Email: martin.klemm (at) wmich.edu     Phone: (269) 387  3169

C. Lieurance

Dede Adler and Josh Holcomb of Dede and the Dreamers join Craig Freeman in the studio to play original songs and talk about what's behind their hard-to-categorize music. Alder formed Dede and the Dreamers for a single occasion: to lull a crowd to sleep in the wee hours of a music festival. Two musician friends - John Driscoll and Chris Michels- accompanied her on drums and bass as she sang and played vibraphone. That was the beginning of the band, which classically-trained violist Josh Holcomb would join later, bringing voice, viola, improvisation, and an array of effects to the sound of the group.

Singing while accompanying oneself on marimba, which Dede Alder taught herself to do, is almost unheard-of in the world of singer-songwriters. Hear their unusual sound in this session, hosted by Craig Freeman, recorded in the Takeda studio at WMUK, with Martin Klemm engineering.


C. Lieurance

Both top-notch soloists in their own right, Evan Marshall and Brian Oberlin enjoy coming up with musical duo arrangements that test their abilities and span many styles, from Italian classical to bluegrass and beyond. On Saturday, the Kalamazoo Mandolin and Guitar Orchestra will present the duo in a 7 pm concert at First Congregational Church of Kalamazoo. They'll feature selections from their new CD, Twin Mandolin Slingers.

In a session with Cara Lieurance, recorded by sound engineer Martin Klemm, Oberlin and Marshall tell stories about their experiences as musicians who bridge genres, and they play a variety of tunes, original and adapted, for two mandolins.


Craig Freeman

Saxophonist Sam Pilnick, guitarist Andrew Saliba, bassist Mike Horrigan and drummer Steve Perry, all Western Michigan University School of Music grads or soon-to-be grads, have enjoyed gigging together for over a year at various venues around Kalamazoo and west Michigan. WMUK contributor Craig Freeman asked them to come to WMUK's Takeda studio to play some of their current favorites.


C. Lieurance

WMUK contributor Craig Freeman hosts a session at WMUK with The Last Gasp Collective, whose energetic live shows are drawing bigger and bigger crowds in southwest Michigan. The group's blend of hip-hop, soul, R&B, jazz, and funk draws upon the eclectic talents of the group, which is fronted by two vocalists:  Jay Jackson and Ashley Hicks.  Interwoven in the mix are solo cellist Jordan Hamilton, Xavier Bonner on flute/saxophone, Jon Boyd on keyboards, Joel Pixley-Fink on bass, Terrence Smith, drums, and Nicholas Baxter, auxiliary percussion. 

The Last Gasp Collective performed a wide selection of songs in a live performance at WMUK, including "Saving Grace," Small Town," Surgeon General," and "Boom." Martin Klemm was the sound engineer.


On May 18 and 19, 1963, saxophonist Stan Getz recorded one of the best selling jazz albums of all time with two Brazilian Bossa Nova innovators: João Gilberto and Antonio Carlo Jobim. The album, Getz/Gilberto, hit #1 on the U.S. Billboard Charts and produced the most famous Bossa Nova sung by Astrud Gilberto called “The Girl from Ipanema.” Keith Hall looks into how they created crossover magic in this collection of songs, on  Jazz Currents


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