Kalamazoo Civic Theatre

Kalamazoo Civic Theatre

The cast and crew of Disney's Beauty And The Beast, Jr, which opens this Friday at the Kalamazoo Civic Theatre, is comprised of over ninety young people between the ages of 10 and 18 years old, according to director Nicki Poer. She joined Cara Lieurance in the studio for a preview, along with music director Kellee Love Haselton and cast members Daye Alexander (Belle) and Ben Eiler (the Beast).


Kalamazoo Civic

Side Show, a 1997 musical by Bill Russell and Henry Krieger, has been on director Jay Berkow's dream list of shows he's like to to direct. Based on the true story of conjoined twins Violet and Daisy Hilton, who became performers on the vaudeville circuit, Side Show is a musical about acceptance, love, and embracing one's uniqueness. 


kotulas.com

Did you know that the classic movie A Christmas Story had been turned into a Tony-nominated musical? According to artistic director Todd Espeland, who helms the Kalamazoo Civic production opening on Friday, all your favorite things from the movie are still there - Ralphie's obsession with getting a BB gun for Christmas, facing scary mall Santa, father winning the leg lamp -  but they've been heightened. In an interview with Cara Lieurance, Espeland, along with 13-year old Liam Fagan (Ralphie), Sharon Bradford (Mother) and Tim Kilmarten (The Old Man), discuss their roles and how the large cast has brought the show together in a six-week rehearsal process.


Director Michael P. Martin, music director Hal Hobson, and cast members Joseph Sablan (Frederic), Donna Willoughby (Mabel) and Karen Trout (Ruth) join Cara Lieurance in a discussion about the Gilbert and Sullivan comedy-operetta The Pirates Of Penzance.


Kalamazoo Civic

Ben Zylman loves the ground-breaking Rodgers and Hammerstein musical, Oklahoma! for its message of optimism, its blending of drama and entertainment, and its peerless music. In an interview with Cara Lieurance, he and actors Josh Denks (Curley) and Brittin Schumaker (Laurey) talk about the musical from their perspectives as both performers and fans.


Pages