WMU

Meghan Stagl and Matthew Epperson started their duo while studying jazz at Western Michigan University, where, they say, jazz students are thrown into a churning musical mix from the get-go. They like their collaboration for the same reasons: their roles combine to suggest all the elements of a song, but there's a lot of freedom to play around with the tunes. With a new album in the works, they joined Cara Lieurance in the Takeda Studio for a selection of old and new standards.


Wikimedia Commons

The co-investigator for Western Michigan University’s Autism Center for Excellence says treatment for people with autism is getting better. But Stephanie Peterson says more discoveries are being made, and more challenges remain.


WMU Project Seeks More Diversity In Nursing

Feb 9, 2018
J. Gabriel Ware / WMUK

Most of the people who work in health care in Michigan are white. But a new project at Western Michigan University’s Bronson School of Nursing is trying to draw more minority students into the field.


WMU students Myles Schwartz and Asia Marie Hicks
John Lacko

“Angels in America” — a play that centers around the AIDS epidemic of the 1980s — is gaining new attention today. In honor of its 25th anniversary, an all-star cast is performing it on Broadway — including actors Nathan Lane and Andrew Garfield. This month Western Michigan University is also putting on the show. 


WMU School of Music

Three musicians from Under One Sun, a critically acclaimed jazz and world music all-star band, do their best to explain what the audience can expect when they take the stage tonight in the WMU Dalton Center Recital Hall at 7:30 pm, in their Michigan debut. Drummer/percussionist Jamey Haddad (Paul Simon, Esperanza Spalding, etc.) calls the group "aspirational" - the collected talent is so strong and so diverse, it embodies unlimited potential. Composer/saxophonist Billy Drewes, whose music served as the focus for Under One Sun's 2016 album, says he chose to write several new pieces for the project, but also found some works to bring back from the last 40 years of his compositions.  Salar Nader, who was drawn to drums from the time he could crawl, demonstrates the language of syllables that correspond to drum patterns - a memory and practice tool that allows drummers in his tradition to become masters of complex rhythm.

Tickets and more information here.

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